by Ane Mulligan  @AneMulligan

Experiencing Fiction

We’ve all read novels that held us tightly engaged from page one to “The End.” Then we’ve read others that while good, we could read a chapter and put it down. There can be various reasons, but I believe when we can experience the story not just read it, we overlook a multitude of possible problems.

So how do we get a book that offers an experience? By taking a lesson from baking. Yes, baking! After all, a novel is just like a layer cake.

To draw your readers into your story, you want to create an experience for them. But that experience is filtered through your POV character. You know that already? Good. But are you layering all five senses into your fiction, so the reader hears, sees, smells, tastes, and feels it?

It’s a matter of “showing vs. telling” gone wild.

Your characters and plot are the basic ingredients—the flour, butter, and liquid you mix to build your cake … uh, novel.

The 5 Senses are your icing.

The icing on a cake is what makes it extra special. It’s the first thing that draw us to a cake. By using all 5 senses in your writing, you add the icing that makes the novel an experience.

Today, I want to take a look at two of these senses.

Sense of hearing

If you’re telling them what the character is experiencing, it’s like this:

Joan heard a siren in the distance.”

 Showing them is like this:

A siren wailed in the distance.

Then you take it one step further:

A siren wailed in the distance. Joan glanced in her rearview mirror. The blue flashing lights of an emergency vehicle drew closer. Her heartbeat accelerated, and she pulled over to let it pass.

In the second one, you experience it with her. We’ve all heard a siren. I don’t know about you, but the first thing I do is check my rearview mirror. I don’t want to get in their way. It can also trigger a memory, and that’s what we all hope our writing will do. Then it becomes personal and memorable to our readers.

They might also wonder why her heartbeat accelerated. Is there something in her past that causes this reaction? Raising questions draws readers on to find out the answer.

Sense of smell

This is another one that is often forgotten. I love to incorporate it one into my writing. If your character is taking a walk through the woods, you want your reader to smell the pines. If it’s after a rain shower, the forest floor is damp, and the scent of leaf mold rises as the character traverses the path.

In any of my Chapel Springs series books, the POV character enters the bakery, Dee’s ‘n’ Doughs, you join them as the aroma of vanilla, yeast, and sugar waft around her. From Chapel Springs Revival, the introduction to the bakery went like this:

Claire paused on the threshold for a moment, closed her eyes, and let the heavenly aroma of yeast, vanilla and almonds entice her. That indulgence alone would probably add another inch to her waistline.

Aromas trigger memories and that makes your fiction relatable. Be sure to use all the senses in your fiction and you’ll have your reader experiencing the story instead of merely reading it. Next month, we’ll look at the other 3 senses: sight, taste, and touch.

Ane Mulligan has been a voracious reader ever since her mom instilled within her a love of reading at age three, escaping into worlds otherwise unknown. But when Ane saw PETER PAN on stage, she was struck with a fever from which she never recovered—stage fever. And so, by night, she’s CEO of a community theatre company and by day, a bestselling, award-winning novelist. She lives in Sugar Hill, GA, with her artist husband and a rascally Rottweiler. Find Ane on her website, Amazon Author page, Facebook, Instagram, Pinterest, The Write Conversation, and Blue Ridge Conference Blog.